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BEGUM AKHTAR

       
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Name                                     Begum Akhtar (Akhtari Bai Faizabadi)

 

Date of Birth                         7th October, 1914

 

Birth Place                             Faizabad, Uttar Pradesh

 

Father’s Name                      Asghar Hussain (Lawyer)
 

Mother’s Name                    Mushtari

 

Learn Music                         Chandra Bai, Ustad Imdad Khan, Ata Mohammed Khan

Learn Classical                     Mohammad Khan, Abdul Waheed Khan, Ustad Jhande Khan.
Music

Spouse                                   Ishtiaq Ahmed Abbasi (Barrister)

Begum Akhtar was a Indian Vocalist of Ghazal, Dadra and Thumri. Her first public performance was at the age of fifteen. She also acted in several Bollywood films. Her first public performance was at the tender age of fifteen. This encouraged her to continue singing ghazals with more enthusiasm. She cut her first disc for the Megaphone Record Company, at that time.

However, after marriage, due to her husband’s restrictions, she could not sing for almost five years and subsequently, she fell ill, that is when her return to music was prescribed as a befitting remedy, and in 1949 she returned to the recording studios. She sang three ghazals and a dadra at Lucknow Radio Station. She sang ghazals and other light classical pieces, singing them in her inimitable style. She has nearly four hundred songs to her credit. She was a regular performer on All India Radio. She usually composed her own ghazals and most of her compositions were Raag based.

During her last concert in Ahmedabad, she raised the pitch of her voice as she felt that her singing had not been as good as she had wanted it to be. She was not feeling well on the fateful day. The additional demand and stress that she put herself under resulted in her falling ill and was rushed to the hospital. She died on October 7, 1974, in the arms of Nilam Gamadia, her friend, who invited her to Ahmedabad, which has become her final performance.

She received the Sangeet Natak Akademi award for vocal music as well as a Padma Shri. She was posthumously awarded the Padma Bhushan. Today her name is almost synonymous with the concept of ghazal gayaki, and her imitable style of singing which immortalized her, and gave her the title of Mallika-e-Ghazal (Queen of Ghazals).

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